Caroline Faflak, Violin & Piano

Caroline’s teaching philosophy combines her background in music, from her first piano lessons from her mother to her most current studies, including Russian, French, Italian, and Belgian violin playing styles. For beginners of any instrument, she believes in setting a foundation with proper and comfortable posture, a solid technique, and a well-rounded music theory and ear training base. At all ages, it is crucial to cultivate an ear for beautiful sound, allowing the student to express themselves musically and to fine tune technique and performance comfort. Her goal is to explore interesting and varied repertoire, learn how to practice and achieve musical goals, develop a lifelong appreciation for the art of the instrument, and above all, to enjoy making music.

Caroline’s practical approach for piano includes the Piano Adventure series for beginners for theory and technique, supplemented by music from the Royal Academy of Music, as well as scales, arpeggios, and her own collection of repertoire. For violin beginners, she uses repertoire from Barbara Barber, Suzuki, George Perlman, as well as scales and exercises tailored to the needs of each student. She is an advocate of the ABRSM (Associated Board of the Royal School of Music) program, which combines repertoire, scales, music theory, sightreading, and ear training in a comprehensive examination process.

Caroline has degrees from the University of Nebraska-Lincoln and the Royal Academy of Arts in Gent (Belgium) and has studied abroad at the Academy of Performing Arts in Prague (Czech Republic). She plays with several orchestras in the Seattle area, including the Yakima Symphony orchestra, Pacifica Chamber orchestra, and is the concertmaster of the Sammamish Symphony Orchestra. She also likes skiing and mountain biking in the great Pacific Northwest outdoors.

Halle Bromberg, Violin

Originally from Chicago, Halle Bromberg began playing violin in her school music program at nine years old. Her love of playing, and some wonderful teachers, propelled her to eventually earn a Bachelor of Music degree in Violin Performance from The Oberlin Conservatory of Music. With a goal of teaching in mind, she then went on to earn a Master of Music degree in Teaching from Oberlin.

As a student, Halle’s primary teachers were Carmen Hensley, Dana Freeman, William Fitzpatrick, and Milan Vitek. Over the years she has performed in countless masterclasses to learn from the likes of pedagogues such as Paul Kantor, Connie Heard, and Anne Akiko Meyers. In high school, Halle attended the Meadowmount School of Music, founded by Ivan Galamian, where she studied under David Russell and Ann Setzer.

Halle’s performance experience includes playing in the Oberlin Orchestra, Oberlin Chamber Orchestra, Oberlin Baroque Orchestra, Santa Barbara City College Orchestra, and South Coast Symphony. Halle recorded two albums with the Oberlin Orchestra and has performed in collaboration between the Oberlin Orchestra and The Punch Brothers.

Halle holds both a Washington State and California teaching license for K-12 music, where she has spent the last seven years teaching in the public schools. During this time, she has taught middle school orchestra, band, choir, and drama, along with elementary strings and elementary general music. Halle has been teaching violin lessons for over a decade and her students have gone on to excel in their school programs, youth orchestras, and college auditions. Halle enjoys helping all students and families reach their musical goals and has extensive experience teaching at the beginning, intermediate, and advanced levels. For Halle, music is all about building community and she loves helping her students find joy in performing with others. When she isn’t playing or teaching, Halle enjoys spending time with her husband, son, and dog.

Helena Krimsky Violin

Helena Krimsky was born and raised in Finland and started studying music and violin at age six winning her first competition at age eight. At eleven she appeared with Kauhajoki String Orchestra and the following year toured Hungary soloing with them during their two week visit to Europe. Her subsequent appearances included competitions, recitals, concert tours, musical events and festivals. Her teachers include Mariann Hercegh, Zinaida Gilels, Pertti Sutinen, Ann Elliot-Goldschmid, Denes Zsigmondy, and Burkhart Godhoff.

In 1995 Helena moved to the US where she has been performing in the Northwest and beyond. She has been soloing with local orchestras and completed a concert tour to Alaska in February 2001 which included teaching master classes at the University of Alaska Anchorage. She has been involved in community outreach projects bringing music to less privileged youth. In August 2008 she performed at the celebration of the 100th anniversary of the Moore Theater as a tribute to Jascha Heifetz. Helena is frequently contracted to record movie soundtracks and music for videogames and has performed with groups such as Queensryche and Bridgeport Saints. She has also released two CDs; Praeludium in 1999 and Legends in 2001. Helena has been a performing member of the Ladies Musical Club since 2000.

Presently, Helena teaches private violin lessons in the Seattle - Eastside area.

Tamás Kocsis, Violin

Violinist Tamás Kocsis has served as concertmaster of several major American orchestras and of the Ulster Orchestra in Belfast, Northern Ireland. He has also performed widely and recorded as a solo player.

Kocsis was born in Budapest, Hungary. At age five, he expressed interest in both the piano and the violin and began studies on both. He was accepted for violin studies at the Liszt Academy in Budapest when he was ten. He began performing professionally as a preteen, playing a live recital on Hungarian Radio when he was 11. In 1989, he earned a full scholarship to Indiana University in the U.S. and enrolled for studies there with Josef Gingold. After four years he went on to the Juilliard School in New York City, where his teacher was Dorothy DeLay. In 1994 he received the European Council’s Juventus Award, he was a finalist at the Tchaikovsky Competition in Moscow and won the Artists’ International Auditions in New York City.

In 1995, he got his first concertmaster appointment in Fort Worth, where he also served on the faculty at Texas Christian University. He moved on to the Savannah Symphony and later to Florida where he was concertmaster of the Philharmonic in Orlando and the opera in Tampa. He has also held concertmaster roles at several U.S. music festivals. Kocsis became the concertmaster of the Ulster Orchestra in Belfast in 2010.

As a soloist he has worked with JoAnne Falletta, Janos Starker, Howard Shelley, Andrew Litton, Rafael Payare, Daniele Rustioni and Alexander Vedernikov among others. As a guest concertmaster he has led orchestras in Vancouver, Charleston, Tampa, Birmingham, Dublin, Melbourne and the opera companies of Dallas and Sydney.

He made his recording debut in 1997 with pianist Fabio Bidini recording Brahms’ violin sonatas and piano quartets for the EPR Encore label. He has also recorded works by Cecilia McDowell for Dutton Epoch and Kurt Weill’s Violin Concerto for the SOMM label while making several live and studio recordings for BBC Radio3.

After 14 years in the UK I’m moving back home.

I have always maintained a private studio alongside my CM career and now I’m looking forward to making it my priority. I’m happy to help beginners, advanced students and anyone in between with everything I have learned from my teachers, myself and all my former students!

Rick Neff, Violin & Viola

Originally from Atlanta, I began playing the viola through my local public school program and went on to earn degrees from Georgia State University and Northwestern University, where I studied with Tania Maxwell Clements and Roland Vamos. I’ve performed with many ensembles over the years and can regularly be seen performing with the Seattle Symphony, Seattle Opera, Pacific Northwest Ballet, and the Bellingham Festival of Music. Much of my teaching philosophy is influenced by Roland Vamos, Simon Fischer, Mimi Zweig, and Ivan Galamian.

I believe the most important ingredient in learning any instrument is fostering a genuine joy for music. The road to mastery is slow and at times frustrating, and an abiding love for the art form can provide the will to push on when others can’t. While I tailor specific approaches and cues to each individual, I like to progress through technique slowly and thoroughly, with an emphasis on listening, posture, and effective practice methods. After studying with me, I hope the student has found in themselves an artist with a lifelong love for music, a sensitive ear, solid and relaxed technique, and the ability to diagnose, analyze, and overcome problems. I enjoy working with students of all ages and abilities, from complete beginners to musicians preparing for conservatory auditions.

Eugene Bazhanov, Violinist

I was born and raised in Russia, where I received most of my musical training in the great tradition of Russian violin school, with its trademark emphasis on solid technique and deep musical expression. I studied at the music college and conservatory in the city of Ekaterinburg, and continued my training in the United States under the guidance of some of the best players and teachers.Since relocating to the United States more than twenty years ago, I have been playing in professional symphony orchestras, including The Florida Orchestra, The Naples Philharmonic, and the Grand Teton Music Festival Orchestra, sharing the stage with artists as diverse as Itzhak Perlman, Pinchas Zukerman, Bobby McFerrin and Herbie Hancock.

I frequently perform with the Seattle Symphony Orchestra, Seattle Opera Orchestra, Pacific Northwest Ballet Orchestra, Fifth Avenue Theater Orchestra, Teatro ZinZanni Band, and other ensembles. In addition to classical, I also enjoy playing many other different kinds of music – jazz, tango, klezmer and more, on acoustic or electric violin. I've been a violin and viola teacher for as long as I've been playing professionally.

I offer private violin and viola lessons for all ages and skill levels, from beginning to advanced students. I am happy to share my knowledge and joy of music making with anyone who would like to learn, whether you are five or eighty-five. In my teaching I give students a solid technical foundation essential for success, while not forgetting to focus on the sheer joy of playing music, which is the reason for taking music lessons in the first place.One of the main characteristics of my teaching is versatility and flexibility. I am prepared to meet the student on whatever path he or she wishes to take, and guide him/her through it.

All of my lessons are:
• Custom tailored to each student’s needs, goals and abilities, to ensure the quickest progress.
• Aimed at developing strong technique, musicality, performance skills, as well as give a general understanding of music theory and music history.
• Conducted in a relaxed, supportive and positive environment, maintaining the right balance between rigorous practicing and pure fun, enjoyment and excitement of music.

Students also might like to enhance their studies with:
• Performance opportunities
• Playing in ensembles
• Basic piano skills
• Improvising skills

Aubrey Burdick, Violinist

Aubrey Burdick is an accomplished violinist who performs solo and chamber music spanning over four hundred years from early baroque to contemporary music. She has performed at the Vancouver, Boston, and Twin Cities Early Music Festivals; with Apple Hill Chamber Music in New Hampshire and the Music from Salem series in New York; and as a performance fellow at Nief-Norf contemporary chamber music festival in Knoxville, TN. As an orchestral musician, she has performed with Cape Ann Symphony, New England Repertory Orchestra, and the International Symphony Orchestra. Ms. Burdick holds a Master’s in violin performance from Longy School of Music where she studied both modern and baroque violin. Her teachers include Sharan Leventhal, Mark Lakirovich, Sophie Vilker, and Dana Maiben.

Ms. Burdick is an equally experienced teacher who provides a supportive and patient learning environment of students of all levels. Her teaching style is based on traditional classical technique (Galamian, Flesch, Kodaly, Kato Havas) enhanced by folk and fiddle traditions to emphasize improvisation skills while supporting basic musicianship skills. She teaches note-reading and incorporate ear-training and tonic solfege sight singing into the lessons to encourage playing by ear and sight-reading skills. Students' repertoire is drawn from a variety of genres for a broad musical education and also to tailor to individual interests and goals.

Aubrey Burdick was a 2013 participant in the Starling-Delay Symposium on Violin Pedagogy at Julliard and served on the faculty at the Newton Academy of Music in Newton, MA and the School for Strings in Port Huron, MI. She is a member of American String Teacher’s Association.

Marcus Talley, Violinist

Marcus Talley has been an active music educator in the Seattle area since 2006. He joined Seattle University as adjunct faculty in 2010 and teaches courses in string pedagogy, string performance, and chamber music in addition to teaching violin. Outside his work at SU, he maintains a large and successful private studio in Issaquah, is a violin coach and coach coordinator for the Everett Youth Symphony Orchestras, and works with string programs in the Northshore school district. Dr. Talley has worked for the Seattle Conservatory of Music as the director of the Eastside chamber music program, a chamber music coach for the Westside program, and as teacher of the college/performance preparation class. He works as a clinician and adjudicator and has held teaching positions at Interlochen Arts Camp, Seminar Music Camp, and the Suzuki Institute of Seattle.

Dr. Talley holds a Doctor of Musical Arts (DMA) in violin performance from Michigan State University, a Masters (MM) in violin performance from Western Michigan University and a Bachelors (BM) in violin performance from Western Washington University. His principal teachers include Charles Avsharian, Renata Knific, David Updegraff, Walter Schwede, and Celia Weiss-Nicks.

Jenny McCrorey, Violinist (Suzuki)

Jennifer Fedie McCrorey began violin lessons at age 4 as part of the Suzuki Talent Education program in Eau Claire, WI. This was her inspiration to study music and become a teacher herself. She holds a Bachelor's degree in Violin Performance with honors from the University of Wisconsin at Madison where she studied violin with Vartan Manoogian, and a Master’s degree in Violin Pedagogy from the University of Texas at Austin where her violin teacher was Eugene Gratovitch. Jennifer was a teacher at the acclaimed Texas String Project under Anne C. Witt where she worked with students of all levels in private and group lessons.

Jennifer's teaching and performing career began in Dallas, TX where she performed with several area orchestras including The Chamber Symphony of the Metrocrest, Plano Chamber Orchestra and Richardson Symphony. She taught violin lessons in her own home studio as well as in the Carrolton-Farmer's Branch and Lewisville school districts.

From 1999-2005 Jennifer and her husband lived in Madrid, Spain where she was a member of the Orquesta Filarmonia de Espana and was co-founder of the International Violin School of Madrid, a Suzuki violin program made up of Spanish and expatriate students from all over the world. Jennifer has also lived outside of London, England where she maintained a violin studio and performed with the Surrey Mozart Players and the Baroque ensemble, The Cannons Scholars. In 2008, she and her husband settled in Issaquah where they are raising their two young boys.

Jennifer is a member of the Suzuki Association of the Americas and the American String Teachers Association. She has attended numerous workshops in Europe and the U.S. covering all aspects of Suzuki and traditional violin pedagogy, as well as historical interpretation and performance.

Jennifer is associated with Issaquah Suzuki Strings.

Andrea Talley, Violinist (Suzuki)

Andrea began playing the violin in the public school system at age nine and hasn’t stopped since. She holds a B.M. from Western Michigan University, and a M.M. from Michigan State University, both in violin performance. In grad-school, Andrea was an active member of the Community Music School at Michigan State University, a Suzuki school servicing the greater Lansing area. A registered Suzuki violin teacher, Andrea has completed training seminars with Judy Weight Bossuat, Christie Felsing, Martha Shackford, and Ed Sprunger. Andrea has taught as part of the Foothills Suzuki Institute, and most recently, helped to co-create Issaquah Suzuki Strings in 2014 where she currently teaches. She instructs over 40 young violin students, both private and group lessons, and helps to run Camp Tierra, an annual Suzuki Strings summer camp held at the Tierra Learning Center in Leavenworth, WA. Besides studio teaching, Andrea gets a kick out of conducting student orchestras. She spent 4 years with the Everett Youth Symphony organization as the director of the Prelude String orchestra, and is currently conducting the Overture String group with the Cascade Youth Symphony Organization. Previously, Andrea has worked as a strings specialist for the Northshore, Edmonds, and Mukilteo School districts, and as a clinician for regional solo and ensemble competitions. She was the primary teacher/developer of a Suzuki strings program for the La Conner School District, and directed the violin program at Immaculate Conception Regional School in Mt. Vernon. As a performer, Andrea has played with the Juneau Symphony, Federal Way Symphony, Bellevue Philharmonic, Skagit Opera Orchestra, and the Lake Washington Symphony. She is also a member of NOCCO, a conductor-less chamber orchestra performing in the Seattle area. Andrea is the President of the Suzuki Association of Washington State, and a member of the Suzuki Association of America and the American String Teachers Association. When not performing, teaching, or conducting, Andrea enjoys traveling, and hiking the next section of the PCT with her violinist-husband Marcus.

Shelley Weiss, Violin & Viola

Shelley Weiss is a violinist, violist and fiddler who recently moved to Seattle from Philadelphia. She holds degrees (in viola performance) from the Cleveland Institute of Music and Rutgers University, and also spent two years studying viola at the Hochschule für Musik in Vienna, Austria. She has 17 years private teaching experience and enjoys playing and teaching music of all styles.

Rick Neff, Violin & Viola

Originally from Atlanta, I began playing the viola through my local public school program and went on to earn degrees from Georgia State University and Northwestern University, where I studied with Tania Maxwell Clements and Roland Vamos. I’ve performed with many ensembles over the years and can regularly be seen performing with the Seattle Symphony, Seattle Opera, Pacific Northwest Ballet, and the Bellingham Festival of Music. Much of my teaching philosophy is influenced by Roland Vamos, Simon Fischer, Mimi Zweig, and Ivan Galamian.

I believe the most important ingredient in learning any instrument is fostering a genuine joy for music. The road to mastery is slow and at times frustrating, and an abiding love for the art form can provide the will to push on when others can’t. While I tailor specific approaches and cues to each individual, I like to progress through technique slowly and thoroughly, with an emphasis on listening, posture, and effective practice methods. After studying with me, I hope the student has found in themselves an artist with a lifelong love for music, a sensitive ear, solid and relaxed technique, and the ability to diagnose, analyze, and overcome problems. I enjoy working with students of all ages and abilities, from complete beginners to musicians preparing for conservatory auditions.

Shelley Weiss, Violin & Viola

Shelley Weiss is a violinist, violist and fiddler who recently moved to Seattle from Philadelphia. She holds degrees (in viola performance) from the Cleveland Institute of Music and Rutgers University, and also spent two years studying viola at the Hochschule für Musik in Vienna, Austria. She has 17 years private teaching experience and enjoys playing and teaching music of all styles.

Sophie Robinson, Violist

Sophie began studying the viola at 9 years of age and was heavily involved with the Tacoma Youth Symphony Association throughout her junior-high school career. Her private teachers include Trevor Wadleigh- violist of the critically acclaimed String Quartet 'Well-Strung', Kim Roy- Conductor of the Seattle Rock Orchestra and Maria Bokor- violist of the Symphony Tacoma.

She graduated from Pacific Lutheran University with a Bachelor's in Viola Performance, studying with Betty Agent, co-principal of the Pacific Northwest Ballet and Auburn Symphony Orchestra.

Sophie won concerto competitions in both her Senior years of high school and University. She was a winner of the 2019 PLU Concerto Competition, awarding her the privilege of performing as a featured soloist with the Pacific Lutheran University Symphony Orchestra.

A particular highlight of Sophie’s playing thus far is having the opportunity to study with and perform for highly regarded music professionals in the greater Tacoma-Seattle area such as Maestro Gerard Schwarz, Dr. Svend-Ronning, Joyce Ramee, Dr. Jeffrey Bell-Hanson, Thane Lewis and more. She also enjoyed attending intensive summer music festivals every year such as Seattle Youth Symphony's 'Marrowstone Music Festival' under the direction of Conductor Stephen Rogers Radcliffe, the 'Vancouver Symphony Orchestra Institute' under the tutelage of Maestro Bramwell Tovey, and more.

Sophie is passionate about sharing her love of music and teaching people how to build their musical communication, sensitivity and skills on their instruments. She believes everyone is capable of learning and participating in music, no matter their experience level, disability or age!

Katelyn Henke, Cello

Cellist Katelyn Henke discovered her great admiration for the cello at fifteen years old after listening to Bach’s cello suites. Her passion took her to Central Washington University where she studied with Professor John Michel, and later to the Metropolitan Conservatory in Lisbon, Portugal.

In her fifth year as a cello instructor, Katelyn now enjoys her career as a chamber musician and teacher. In addition to presenting regular chamber concerts, she has played with groups such as the Mid-Columbia Symphony, Yakima Symphony, Seattle Philharmonic, Central Washington Orchestra and Chamber Orchestra.

Christie Chen, Cello

Christie Chen began her musical studies of piano at the age of 4, and cello at the age of 9. After graduating as the valedictorian of her class with a double major in cello and piano from the Manhattan School of Music Pre-College studying with Marion Feldman and Elena Billy, she continued her music education in cello and received her bachelor and master degree of music from The Juilliard School under the tutelage of Zara Nelsova “The Queen of the Cello”, legendary cellist Harvey Shapiro, and member of The Juilliard String Quartet Joel Krosnick. She was a doctoral candidate at the State University of New York, SUNY, studying with soloist Colin Carr. Christie has studied in master classes with Mstislav Rostropovich, Yo-Yo Ma, Janos Starker, and Anner Bylsma.

Cellist Christie Chen has appeared as soloist with renowned orchestras including the Manhattan Philharmonic of New York, Union Symphony and Summit Symphony of New Jersey. Christie has appeared in such venues as Lincoln Center’s Avery Fisher Hall, Alice Tully Hall, and Weill Recital Hall at Carnegie Hall. She was featured in the The McGraw-Hill Young Artists Showcase, which was broadcast nationwide on WQXR, the Radio station of the New York Times.

An active chamber musician, Christie has been invited to the prestigious Ravinia, Yellow Barn, Kneisel Hall music festivals, and guest principal cellist for the String Orchestra of New York. She has collaborated with the members of the Emerson String Quartet performing the Schubert’s Cello Quintet, as well as the Cleveland, Takacs and Avalon String Quartets, members of the New York Philharmonic, violinist Donald Weilerstein, pianist Leon Fleisher,and cellist David Finkel among others.

As an active musician and teacher in the Seattle area, Christie has been faculty at the Seattle Conservatory of Music, Seattle University, principal cellist for the Seattle Metropolitan Chamber Orchestra, has collaborated in chamber music concerts with the members of the Seattle Symphony, and has appeared in such venues as Benaroya Hall.

Kim Blanchard, Cello (Suzuki)

Kim has been teaching cello privately in the Seattle area since 2000 and has recently received pedagogy training in the Suzuki method studying under Barbara Wompner at the Seattle/Japan Suzuki Institute. She has been an intern and coach at Chamber Music Madness for several years under nationally recognized chamber music teacher Karen Iglitzen. Kim has been actively involved in the arts community of the Northwest for over a decade. She is a member of the Northwest Symphony Orchestra, Lyric Opera NW, and Bellevue Opera. She also performs as a freelance musician and is an active chamber music performer in the greater Seattle area. Kim moved to Seattle in 1996 after receiving her BFA from Alfred University in New York and went on to receive her Bachelors of Music in cello performance from Cornish College of the Arts in 2005 where she studied with Paige Stockley Lerner. Kim currently studies with Mr. Walter Gray of the Seattle Symphony.

While studying cello performance at Cornish, Kim discovered her interest in composition and was fortunate to study with Janice Giteck and Jarrad Powell. Kim finds ways to combine her visual art background with her music by collaborating with artists of various disciplines through performing and composing. Kims first project, Katrina, is based on a heroic young womans experiences through a mythic world. She combines spoken word and film along with various non-traditional combinations of instruments. The world premier of Quaking Aspens, from Katrina was performed by the Bainbridge Choral in May, 2005. Also in the spring of 2005 the Saint Helens String Quartet performed the first movement of String Quartet No. 1, I. Sunrise. In 2006 Kim composed the score for the short film, R.E.X. by her friend and collaborator W. Jack Strain. Most recently, Kim was commissioned by the Chautauqua Regional Youth Symphony to write a piece for their 20th Anniversary Gala Concert on May 18, 2007. This piece is scheduled to have its Northwest premier with the Northwest Symphony Orchestra in the fall of 2009.

Matt Hopper, Bass

Matt Hopper was born and raised in Indiana. He started playing electric bass at age 13, studying mostly rock while in high school. Matt played with a number of different bands in Central Indiana including rock, punk, and R & B bands. Picking up the double bass at age 21, Matt immediately joined a bluegrass band with which he played for over five years in Northern California.

In 1997, Matt began studying music formally at Humboldt State University. During the next four years, Matt studied bass with John Brecher and played in a number of ensembles including the Humboldt State Symphony, AM Jazz Big Band, PM Jazz Big Band, Jazz Combos, Vocal Jazz, Percussion Ensemble, and various chamber groups. Matt was principal of the bass section of the HSU Symphony from 2000-2002. He also tutored students in theory and ear training from 1999-2002, and taught at the Sequoia Music Workshop from 2000-2002.

Upon graduation, Matt moved to Durango, Colorado where he maintained a private teaching studio and played with the San Juan Symphony, Four Corners Chamber Orchestra, and freelanced with numerous jazz and rock bands. Matt performed with the Jeff Solon Quartet at the Telluride Jazz Festival in 2002 and 2003, as well as being a first call bass player for studio sessions including Jeff Solon, Jeff Sweet, Richard White, Ryan McCurdy, and two records with early country favorites The Brown Brothers.

Matt moved to Seattle in 2003, where he plays in numerous jazz groups including Motel 5, New Architects, Card Hopper Smith Trio, and PGM Trio. He also plays traditional Latin and Brazilian music in the Adam Hunter Band, and plays electric bass in The Beautiful Confusion. Matt is the principal bassist for the Seattle Rock Orchestra. He has also recorded with a number of local artists including Jean Mann, Wayne Horovitz, and The Beautiful Confusion. Matt has been teaching privately for over ten years and has worked at Hammond Ashley Violins for more than six years.

Ramon Salumbides, Bass

Ramon Salumbides began his studies of the double bass with Barry Lieberman, (former Assistant Principal of the Los Angeles Philharmonic and current Artist in Residence at the University of Washington), and would eventually attend UW for a Bachelor’s Degree in Double Bass Performance. In the summer of 2013, Ramon won the position of Section Bass for the Yakima Symphony Orchestra and has since then been granted tenure. In addition, he currently holds the position of Principal Bass for the Seattle Metropolitan Chamber Orchestra, Seattle Philharmonic String Orchestra, and the Pacifica Chamber Orchestra. In the past Ramon has also played for the Thalia Symphony Orchestra (Principal) and has subbed with the Seattle Symphony, Bremerton Symphony, Seattle Philharmonic Orchestra, and the Maui Pops Orchestra.

Ramon has served as double bass coach for the Bellevue Youth Symphony Orchestra, and various schools within the Bellevue, and Lake Washington School Districts since 2013. His current studio ranges in a wide variety ages (9-40), styles, and ability levels. Students have gone on to receive recognition within BYSO, All-State, and acceptance into collegiate music programs.

In his free time, Ramon enjoys hiking, mountain biking, snowboarding and whatever else the great outdoors of Washington has to offer. He also enjoys traveling, cooking, and is a huge Barcelona FC supporter. Ramon still plays is a number of bands and is an active member to the Seattle music scene. He currently lives in Renton WA, and spends the rest of his time with his family and friends.

Aaron Malver, Piano, Trumpet, & Music Theory

Aaron Malver began playing piano at two years old, guided by his father. He began formal study at five with Maria Rantapaa and Gena Levinson in Minnesota, and eventually Mary Ann Danenberg at the Oberlin Conservatory. After moving to Seattle, Mr. Malver studied and taught with Jinhwa Chon at the Seattle Piano Academy and earned a Bachelor of Arts degree in Music at the University of Washington under Patricia Michaelian.

Beginning at age ten, Mr. Malver also studied the trumpet. His primary instructors were David Bach and Ralph Schwarz, followed by Kenneth Davis (jazz) and Byron Pearson (classical) at the Oberlin Conservatory. He has also received instruction from Manny Laureano and Jon Faddis. He has performed and recorded as a soloist and ensemble member in classical, jazz, musical theater, pop and rock, salsa, and other styles.

Mr. Malver is the assistant editor of Perspectives of New Music, the leading academic and professional journal of contemporary music theory.

Mr. Malver opened the Studio in 2004 in Seattle’s Wallingford neighborhood, where he also continues to teach piano, trumpet, and music theory. He is a member of the Music Teachers National Association.

For scheduling, additional information, or any other questions, please call or text (206) 675-8681 or email piano@aaronmalverstudio.com. You are also invited to visit www.aaronmalverstudio.com, which answers many common questions.

Caroline Faflak, Violin & Piano

Caroline’s teaching philosophy combines her background in music, from her first piano lessons from her mother to her most current studies, including Russian, French, Italian, and Belgian violin playing styles. For beginners of any instrument, she believes in setting a foundation with proper and comfortable posture, a solid technique, and a well-rounded music theory and ear training base. At all ages, it is crucial to cultivate an ear for beautiful sound, allowing the student to express themselves musically and to fine tune technique and performance comfort. Her goal is to explore interesting and varied repertoire, learn how to practice and achieve musical goals, develop a lifelong appreciation for the art of the instrument, and above all, to enjoy making music.

Caroline’s practical approach for piano includes the Piano Adventure series for beginners for theory and technique, supplemented by music from the Royal Academy of Music, as well as scales, arpeggios, and her own collection of repertoire. For violin beginners, she uses repertoire from Barbara Barber, Suzuki, George Perlman, as well as scales and exercises tailored to the needs of each student. She is an advocate of the ABRSM (Associated Board of the Royal School of Music) program, which combines repertoire, scales, music theory, sightreading, and ear training in a comprehensive examination process.

Caroline has degrees from the University of Nebraska-Lincoln and the Royal Academy of Arts in Gent (Belgium) and has studied abroad at the Academy of Performing Arts in Prague (Czech Republic). She plays with several orchestras in the Seattle area, including the Yakima Symphony orchestra, Pacifica Chamber orchestra, and is the concertmaster of the Sammamish Symphony Orchestra. She also likes skiing and mountain biking in the great Pacific Northwest outdoors.